References

1. Amrahova, A. A. “Cognitive Aspects of the Inter­pretation of Modern Music (On the Example of the Work of Azerbaijani Composers).” Doctoral Disserta­tion, Мoscow, MGK im. P. I. Chaykovskogo, 2005. (In Russ.)
2. Bershadskaya, T. S. Lektsii po garmonii [Lectures on Harmony]. 2nd ed., Leningrad: Muzyka, 1985. (In Russ.)
3. Debor, G.-E. Psikhogeografiya [Psychogeography], translation from the French A. Sokolinskaya, Мoscow: Ad Marginem, 2017. (In Russ.)
4. Delez, Zh., Gvattari, F. Chto takoe filosofiya? [What Is a Philosophy?]. Translation by S. Zenkin, Мoscow: Institut eksperimentalnoy sotsiologii; St. Petersburg: Aleteyya, 1998. (In Russ.)
5. Dubinets, E. A. Znaki zvukov. O sovremennoy muzy­kal’noy notatsii [Sounds. About Modern Musi­cal Notation], Kiev: GAMAJuN, 1999. (In Russ.)
6. Kudryashov, Yu. “Catechism of the Theory of Sonor Fret.” Aspekty teoreticheskogo muzykoznanija / Problemy muzykoznanija [Aspects of Theoretical Musicology / Problems of Musicology], issue 2, Leningrad: LGITMIK, 1989, pp. 123–143. (In Russ.)
7. Lavrova, S. V. The Logic of Meaning’ of New Music: The Experience of Structural-Semiotic Analysis on the Example of the Work of Helmut Lachenmann and Salvatore Charrino. St. Petersburg: SPb. gos. un-t, 2013. (In Russ.)
8. Lavrova, S. V. “Projections of the basic concepts of post-structuralist philosophy in the music of post-serialism.” Doctoral dissertation, St. Petersburg, 2016. (In Russ.)
9. Maklygin, A. L. “Textured Forms of Sonor Music.” Laudamus: Sbornik statey k shestidesyatiletiyu Yu. N. Kho­lopova [Laudamus: Collection of Articles on the Sixtieth Birthday of Yu. N. Kholopov], Мoscow: Kompozitor, 1992, pp. 129–137. (In Russ.)
10. Nauk, G. “‘Catastrophic Constructivism’ by Russian Composer Dmitriy Kurlyandskiy”. Sigma [online magazine]. Authorized translation from German by D. Kurlyandskiy, https://syg.ma/@dmitri-kourliandski/muzyka-kak-kinietichieskaia-skulptura (In Russ.)
11. Ruchyevskaya, E. A. Funktsii muzykal’noy temy [The Functions of Music Theme], Leningrad: Muzyka, 1977. (In Russ.)
12. Savenko, S. I. “Karlheinz Stockhausen.” XX vek. Za­rubezhnaja muzyka: Ocherki i dokumenty [XX Сen­tury. Foreign Music: Essays and Documents], issue I, Мoscow: Muzyka, 1995, pp. 11–37. (In Russ.)
13. Kholopov, Yu. N. “About the General Logical Prin­ciples of Modern Harmony” Muzyka i sovremennost’ [Music and Modernity], no. 8, Мoscow, 1974, pp. 229–277. (In Russ.)
14. Khrust, N. New Instrumental Techniques: Classifica­tion Experience.” Cand. Sci. (Art Criticism) Dissertation Мoscow, MGK im. P. I. Chaykovskogo, 2017. (In Russ.)
15. Dmitriy Kurlyandskiy, Vladislav Pesin. “Maps of Non-existent Cities: St-Petersburg” (2015), video from D. Kurlyandskiy’s concert, https://www.youtube.com/watch?v=DJkBEKHfXlk. (In Russ.)