References

1. Veksler, Yu. S. “Between expressionism and dada­ism. Erwin Schulhoff in dialogue with the Second Viennese School,” Muzykal’naya akade­miya [Music Academy], no. 3, 2022, pp. 98–115, doi:10.34690/255. (In Russ.)
2. Dzhaz-band i sovremennaya muzyka. Sbornik statey P. O. Grendzhera (Avstraliya), L. Gryunberga (N’yu-York), Dariusa Milo (Parizh), S. Serchingera (London) [Jazz Band and Contemporary Music. Collection of Articles by P. A. Grainger (Australia), L. Gruenberg (New York), D. Milhaud (Paris), С. Saerchinger (Lon­don)], ed. and prefaced by S. L. Ginzburg, Le­nin­grad : Aca­demia, 1926. (In Russ.)
3. Druskin, M. S. “At the turning point of the century,” M. S. Druskin. O zapadnoevropeyskoy muzyke 20 veka [M. S. Druskin. On the Western European Music of the 20th Century], Moscow : Sovetskiy kompozitor, 1973, pp. 7–30. (In Russ.)
4. Gruenberg, L. “Jazz and the future of music,” trans. by Z. V. Eval’d, Dzhaz-band i sovremennaya muzyka. Sbornik statey P. O. Grendzhera (Avstraliya), L. Gryunberga (N’yu-York), Dariusa Milo (Parizh), S. Serchingera (London) [Jazz Band and Contempo­rary Music. Collection of Articles by P. A. Grainger (Australia), L. Gruenberg (New York), D. Milhaud (Paris), С. Saerchinger (London)], ed. and prefaced by S. L. Ginz­burg, Leningrad : Academia, 1926, pp. 8–15. (In Russ.)
5. Milhaud, D. “The development of jazz and the North American negro music,” trans. by Z. V. Eval’d, Dzhaz-band i sovremennaya muzyka. Sbornik statey P. O. Grendzhera (Avstraliya), L. Gryunberga (N’yu-York), Dariusa Milo (Parizh), S. Serchingera (Lon­don) [Jazz Band and Contemporary Music. Collection of Articles by P. A. Grainger (Australia), L. Gruenberg (New York), D. Milhaud (Paris), С. Saerchinger (Lon­don)], ed. and prefaced by S. L. Ginzburg, Leningrad : Aca­de­mia, 1926, pp. 21–31. (In Russ.)
6. “Musical section,” Byulleten’ G.A.Kh.N. [Bulletin of SAAS], ed. by A. A. Sidorov, no. 8–9, 1927–1928, Moscow : Gosudarstvennaya akademiya khudo­zhes­tven­nykh nauk, 1927–1928, pp. 45–48. (In Russ.)
7. Grainger, P. A. “Jazz,” Musikblätter des Anbruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925, pp. 210–212.
8. Gruenberg, L. “Jazz as a starting point,” Musikblätter des Anbruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925, pp. 196–199.
9. Jemnitz, A. “Jazz as a form and content,” Musikblätter des Anbruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925, pp. 188–196.
10. Milhaud, D. “The development of jazz band and North American negro music,” Musikblätter des An­bruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925, pp. 200–205.
11. Musikblätter des Anbruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925.
12. Osgood, H. O. So This is Jazz, Boston : Little, Brown, and Company, 1926.
13. Osgood, H. O. “Sperichils,” Musical Courier, vol. 93, iss. 7, 1926, pp. 8–9, 14.
14. Osgood, H. O. “The anatomy of jazz,” American Mercury, vol.  7, no. 18, 1926, pp. 385–395.
15. Osgood, H. O. “The blooey blues,” Musical Courier, vol. 93, iss. 8, 1926, pp. 7, 33.
16. “Rachmaninov commends American ingenuity,” Mu­sical Courier, vol. 92, no. 15, 1926, p. 34.
17. Saerchinger, C. “Jazz,” Musikblätter des Anbruch: Jazz [ANB: Jazz], vol. 7, no. 4, 1925, pp. 205–210.
18. Winn’s How to Play Ragtime. Winn Method of Popular Music, Rag, Jazz, Blues Piano Playing. Instruction Book no. 2, New York : Winn School of Popular Music, 1921.