References

1. Asafyev, B. V. “Iz pisem k zhene. 1928 god [From the letters to wife. 1928].” From the Past of the Soviet Music Culture, issue 3, comp. by T. N. Livanova, Moscow : Sovetskiy kompozitor, 1982, pp. 5–28. (In Russ.)
2. Asafyev, B. V. Ob opere. Izbrannye stat’i [On Opera. Collected Articles], Leningrad : Muzyka, 1985. (In Russ.)
3. Asafyev, B. V. “Pis’ma o russkoy opera i balete [Letters on Russian Opera and Ballet].” O balete. Stat’i, retsenzii, vospominaniya [On ballet. Articles, Reviews, Memoirs], Leningrad : Muzyka, 1974, pp. 76–85. (In Russ.)
4. Asafyev, B. V. Russkaya muzyka. XIX i nachalo XX ve­ka [Russian Music. 19th and Early 20th Century], Leningrad: Muzyka, 1968. (In Russ.)
5. Asafyev, B. V. “Frantsuzskaya muzyka i ee sovre­mennye predstaviteli [French Music and Its Con­temporary Exponents].” Shest’. Novaya frantsuz­skaya muzyka. Milo, Onegger, Orik, Pulenk, Dyurey, Tayefer. Sbornik statey [Les Six. New French Music. Milhaud, Honegger, Auric, Poulenc, Durey, Tailleferre. Collected Articles], Leningrad : Academia, 1926, pp. 25–51. (In Russ.)
6. Asafyev, B. V. (Igor Glebov). “ ‘Ya by khotel ikh vypustit’ otdel’noy knizhkoy…’ (sem’ statey iz-za granitsy, 1928 god) [‘I would like to release them as a separate book…’ (seven articles from abroad, 1928)].” Iz proshlogo sovetskoy muzykal’noy kul’tury [From the Past of Soviet Music Culture], issue 3, Moscow : Sovetskiy kompozitor, 1982, pp. 29–52. (In Russ.)
7. Asafyev, B. V., Myaskovsky, N. Ya. Perepiska. 1906–1945 gody [Correspondence. 1906–45], publication, textological preparation and scientific commen­tary by E. S. Vlasova, Moscow : Kompozitor, 2020. (In Russ.)
8. V. G. Karatygin. Zhizn’, deyatel’nost’, stat’i i materialy [V. G. Karatygin. Life, Work, Articles and Materials], Leningrad : Academia, 1927. (In Russ.)
9. Varunts, V. P. “Novye materialy iz zarubezhnykh arkhivov [New materials from foreign archives].” Muzykal’naya akademiya [Music Academy], no. 2, 2000, pp. 189–192. (In Russ.)
10. Vygotsky, N. Ya. “I. Glebov kak muzykal’nyy kritik [I. Glebov as a music critic].” Proletarskiy muzykant [Proletarian Musician], no. 7, 1929, pp. 20–28. (In Russ.)
11. Gachev, D. I. “O ‘Stal’nom skoke’ i direktorskom naskoke [About ‘The Steel Step’ and the Director’s Pounce].” Proletarskiy muzykant [Proletarian Musi­cian], no. 6, 1929, pp. 19–23. (In Russ.)
12. Glebov, I. K vosstanovleniyu “Borisa Godunova.” Sbor­nik statey [To the restoration of “Boris Godunov” by Mussorgsky. Collected articles], Moscow : Muzsector Gosizdata, 1928. (In Russ.)
13. Glebov, I. Kniga o Stravinskom [Book About Stra­vinsky], Leningrad : Triton, 1929. (In Russ.)
14. Dos Passos, J. 1919 [1919], trans. from English by V. Stenich, Leningrad : LenGIHL, 1933. (In Russ.)
15. Keldysh, Yu. Balet “Stal’noy skok” i ego avtor Prokof’ev [Ballet “The Steel Step and Its Author—Prokofiev].” Proletarskiy muzykant [Proletarian Musician], no. 6, 1929, pp. 12–19. (In Russ.)
16. “Lyubov’ k trem apel’sinam.” K postanovke opery Sergeya Prokof’eva [“The Love for Three Oranges.” To the production of the opera by Sergey Prokofiev], Leningrad : Triton, 1926. (In Russ.)
17. “Lyubov’ k trem apel’sinam.” K postanovke opery Sergeya Prokofyeva [“The Love for Three Oranges.” To the production of the opera by Sergey Prokofiev], Leningrad : Kirov Leningrad State Academic Opera and Ballet Theatre, 1934. (In Russ.)
18. Materialy k biografiii B. Asaf’eva [Materials to the Biography of B. Asafyev], comp. by A. Kryukov, Leningrad : Muzyka, 1982.
19. Nef, K. Istoriya zapadno-evropeyskoy muzyki [History of Western European Music], translated from French by B. V. Asafyev (Igor Glebov), Moscow : Muzgiz, 1930. (In Russ.)
20. Porfir’eva, A. L. Pis’ma B. V. Asaf’eva A. V. Ossov­skomu [B. V. Asafyev’s Letters to A. V. Ossov­sky].” Novye dokumenty po istorii iskusstvoznaniya: XX vek [New Documents on the History of Art Criticism: 20th Century], issue 1: 1920-e—1930-e gody [1920s—1930s], St. Petersburg : Petropolis, 2017, pp. 270–389. (In Russ.)
21. Prokofiev, S. S. Dnevnik [Diary], part 2: 1919–1933, Paris : Serge Prokofiev Estate, 2002. (In Russ.)
22. Prokofiev, S. S. “Konspekt dlya dnevnika ili krat­kiy dnevnik [Abstract for diary or concise diary].” Russkaya muzykal’naya istoriografiya: prosh­loe, sovre­mennost’, perspektivy [Russian Musical Historio­graphy: Past, Present, Prospects], ed. by I. A. Skvortsova, N. V. Gur’eva, I. V. Dynnikova, E. E. Potyarkina, Mos­cow : Moscow Conservatory Press, 2022, pp. 325–350. (In Russ.)
23. Prokofiev, S. S. “Pis’mo v redaktsiyu [Letter to the editor’s office].” K novym beregam [To the New Shores], no. 2, 1923, pp. 15–17. (In Russ.)
24. Prokofiev, S. S. “Pis’ma k V. E. Meyerhol’du [Letters to V. E. Meyerhold],” published and commented by K. N. Kirilenko and M. G. Kozlova. Mu­zykal’noe nasledstvo [Musical Heritage], vol. 2, part 2, Moscow : Muzyka, 1968, pp. 212–231. (In Russ.)
25. Prokofiev, S. S. “Parizh, vesenniy sezon [Paris, spring season].” De Musica: Vremennik razryada istorii i teorii muzyki Gosudarstvennogo instituta istorii iskusstv [Chronicle of the Section of Music Theory and History of the State Institute of Art History],
    issue 1, Leningrad, Academia, 1925, pp. 127–129. (In Russ.)
26. Prokofiev, S. S. “Pis’ma B. V. Asafyevu (1920–1944) [Letters to B. V. Asafyev (1920–1944)],” pub­lished by M. G. Kozlova. Iz proshlogo sovetskoy muzykal’noy kul’tury [From the Past of Soviet Music Culture], comp. and ed. by T. N. Livanova, issue 2, Moscow : Sovetskiy kompozitor, 1976, pp. 4–54. (In Russ.)
27. Prokofiev, S. S., Koussevitzky, S. A. Perepiska 1910–1953 [Correspondence 1910–1953], preparation of the text and comments by V. Yuzefovich, Mos­cow : Deka-VS, 2011. (In Russ.)
28. Prokofiev, S. S., Myaskovsky, N. Ya. Perepiska [Cor­res­pon­dence], foreword and indexes by M. G. Koz­lo­va, comments by V. A. Kiselev, Moscow : Sovet­skiy kompozitor, 1977. (In Russ.)
29. Prokofiev, Sv. S. “O moikh roditelyakh. Beseda syna kompozitora s Nataliey Savkinoy [About my parents. Conversation between the composer’s son and Natalia Savkina].” Sergey Prokofiev, 1891–1991. Dnevnik, pis’ma, besedy, vospominaniya [Sergey Prokofiev, 1891–1991. Diary, Letters, Conver­sations, Memoirs], comp. by M. E. Tarakanov, Mos­cow : Sovetskiy kompozitor, 1991, pp. 212–232.
    (In Russ.)
30. Prokofieva, L. I. “Iz vospominaniy [From memoirs].” Sergey Prokof’ev. Stat’i i materialy [Sergey Prokofiev. Articles and Materials], comp. and ed. by I. V. Nes­t’ev and G. Ya. Edel’man, Moscow : Muzyka, 1965, pp. 174–232. (In Russ.)
31. Savkina, N. P. “V bor,be s ‘udushlivoy romantikoy staroy opery.’ Sergey Prokof’ev i Vladimir Dra­nishnikov v 1920—nachale 1930-kh godov [In the fight against the ‘suffocating romance of the old opera.’ Sergey Prokofiev and Vladimir Dranishnikov in 1920—early 1930s].” Vestnik muzykal’noy nauki [Bulletin of Musical Science], vol. 8, no. 4, 2020, pp. 14–23, doi:1024411/ 2308-1031-2020-10061. (In Russ.)
32. Savkina, N. P. “Igroki. Drug vechnyy. Igral’naya [Gamblers. Eternal friend. Gambling house].” Buklet mirovoy prem’ery pervoy redaktsii opery “Igrok” v GABTe [Booklet of the World Premiere of the First Edition of the Opera “The Gambler” in the Bolshoi Theatre], Moscow : Teаtralis, 2001, pp. 3–14. (In Russ.)
33. Savkina, N. P. “Ognennyy angel” S. S. Prokofieva: K istorii sozdaniya [“The Fiery Angel” by S. S. Prokofiev: To the History of Its Creation], Moscow : Moscow Con­servatory Press, 2015. (In Russ.)
34. Savkina, N. P. “Rodom iz Peterburgskoy con­ser­va­torii [Originally from the St. Petersburg Con­ser­vatory].” Problemy muzykal’noy nauki [Music Scholar­ship], no. 1, 2022, pp. 7–17, doi: 10.17674/2782-3601.2022.1.007-017. (In Russ.)
35. Debussy, C. Lettres de Claude Debussy à son éditeur, Paris : A. Durand et fils, 1927.
36. Debussy, C. Monsieur Croche antidilettante. Pa­ris : Librairie Dorbon-aimé, 1921.
37. Durand, J. Quelques souvenirs d’un éditeur de musique. 1-er serie, Paris : Durand, 1924. 2-eme serie, Paris : Durand, 1926.
38. Encyclopédie de la musique et dictionnaire du Con­servatoire, 11 vols., eds.: A. Lavignac, L. de La Lau­rencie, Première partie: Histoire de la musique, Paris : Librairie Delagrave, 1913–1922.
39. George, A. Arthur Honegger, Paris : Claude Aveline, 1926.
40. Godet, R. En Marge de “Boris Godunof”: Notes Sur Les Documents Iconographiques de L’édition Chester, vols. 1–2, Paris : F. Alcan, 1926.
41. Glebov, I. (Asafyev, B. V.) “Moussorgski, musi­cien-dramaturge.” Revue musicale, 1928, 1 avril, pp. 216–243.
42. Glebov, I. (Asafyev, B. V.) “ ‘Boris Godounov’ res­tauré.” Revue musicale, 1928, 1 avril, pp. 274–276.
43. Herriot, E. La vie de Beethoven, Paris : Librairie Gallimard, 1927.
44. d’Indy, V. Beethoven: Biographie Critique, Pa­ris : Henri Laurens, 1911.
45. La Laurencie, L. de. L’École française de violon de Lully à Viotti. Études d’histoire et d’esthétique, 2 vols., Paris : Delagrave, 1922.
46. Mic, C. La commedia dell’arte, ou le théatre des Comédiens italiens des XVIe, XVIIe & XVIIIe siècles, Paris : Pleiade, 1927.
47. Nef, Ch. L’histoire de la musique, Paris : Payot,
    1925.
48. Prunieres, H. La vie et l’oeuvre de Claudio Monte­verdi. Paris : Les éditions musicales de la Librairie de France, 1926.
49. Rolland, R. Histoire de l’opéra en Europe avant Lully et Scarlatti, Paris : Albert Fontemoing, 1895.
50. Rolland, R. Voyage musical au pays du passé, Pa­ris : Edouard-Joseph, 1919.
51. Tiersot, J. Les Couperins, Paris : Alcan, 1926.