Research article

Ars Harmoniae: Theory and Practice

Research article

Ars Harmoniae: Theory and Practice

This article is written in Russian. You can read it here.

References

  1. Abyzova, E. N. Garmoniya [Harmony], Moscow : Mu­zyka, 2004. (In Russ.)
  2. Aforizmy velikikh uchenykh, filosofov i politikov [Apho­risms of Great Scientists, Philosophers and Politicians], ed. by A. P. Kondrashov, Moscow : RIPOL klassik, 2009. (In Russ.)
  3. Berkov, V. O, Stepanov, A. A. Zadachi po gar­mo­nii [Exercises in Harmony], 2nd, expanded ed., Moscow : Mu­zy­ka, 1973. (In Russ.)
  4. Bershadskaya, T. S. Lektsii po garmonii [Lectures on Harmony], Leningrad : Muzyka, 1978. (In Russ.)
  5. Bershadskaya, T. S., Titova, E. V. Zvukovysotnaya sistema muzyki: slovar’ klyuchevykh terminov [The Music Pitch System. Key Terms Dictionary], St. Peters­burg : Kompozitor, 2013. (In Russ.)
  6. Devutskiy, V. E. Stilisticheskiy kurs garmonii [Sty­listic Harmony Course], Voronezh : Voronezhskiy gosudarstvennyy universitet, 1994. (In Russ.)
  7. Demchenko, A. I. “To study holistically,” Sovetskaya muzyka [Soviet Music], no. 9, 1988, pp. 88–90. (In Russ.)
  8. Dmitrevskaya, K. N. Sbornik zadach po garmonii [Collection of Exercises in Harmony], Moscow : Muz­giz, 1956. (In Russ.)
  9. Dubovskiy, I. I. Imitatsionnaya obrabotka russkoy narodnoy pesni [Imitation Processing of a Russian Folk Song], Moscow : Muzgiz, 1963. (In Russ.)
  10. Dubovskiy, I. I. Pyati-devyatigolosie v kurse gar­monii [Frоm Five to Nine-Voices Texture in the Har­mony Course], Moscow : Muzyka, 1970. (In Russ.)
  11. Ivashkin, A. V. “A word about the teacher: A. V. Ivash­kin,” Aleksey Alekseevich Stepanov: k 90-le­tiyu so dnya rozhdeniya (1914–1987) [Alexey Ale­xee­vich Stepanov: on the 90th Anniversary of His Birth (1914–1987)], ed. by T. E. Leye, Moscow : RAM Im. Gne­sinykh, 2006, pp. 17–18. (In Russ.)
  12. Koptev, S. V. “On the phenomena of polymode, polytonicity and polytonality in folk art,” Prob­le­my lada: sbornik statey [Problems of Mode: Collec­tion of Articles], Moscow : Muzyka, 1972. pp. 191–­207. (In Russ.)
  13. Kurt, E. Romanticheskaya garmoniya i ee krizis v “Tris­tane” Vagnera [Romantic Harmony and its Crisis in Wagner’s “Tristan”], trans. by G. I. Balter, Mos­cow : Mu­zyka, 1975. (In Russ.)
  14. Lyzhov, G. I. “Bridge to modernity. About the style course of harmony,” Nauchnyy vestnik Mos­kovskoy konservatorii [Journal of Moscow Con­ser­va­tory], no. 2, 2011, pp. 22–32, doi:10.26176/mos­consv.2011.05.2.03. (In Russ.)
  15. Mazel’, L. A. Problemy klassicheskoy garmonii [Problems of Classical Harmony], Moscow : Muzyka, 1972. (In Russ.)
  16. Mikhaylova, N. N. Garmoniya v srednikh spetsial’nykh uchebnykh zavedeniyakh [Harmony in Secondary Specialized Educational Institutions], Voronezh : Vo­ronezhskiy gosudarstvennyy universitet, 2003. (In Russ.)
  17. Os’kina, S. E., Parnes, D. G. Akkompanement na uro­kakh garmonii [Accompaniment on Harmony Lessons.], iss. 2, Moscow : Muzyka, 1989. (In Russ.)
  18. Paisov, Yu. I. Politonal’nost’ v tvorchestve sovetskikh i zarubezhnykh kompozitorov dvadtsatogo veka [Polytonality in the Works of Soviet and Foreign Composers of the 20th Century], Moscow : Sovetskiy kompozitor, 1977. (In Russ.)
  19. Rimsky-Korsakov, N. A. Prakticheskiy uchebnik garmonii [Practical Manual of Harmony], 18th ed., ed. by M. O. Steinberg, Moscow : Muzgiz, 1952. (In Russ.)
  20. Sarkisova, R. M. Engarmonicheskie modulyatsii v slu­khovom analize [Enharmonic Modulations in Audi­tory Analysis], Moscow : Muzyka, 1990. (In Russ.)
  21. Skrebkov, S. S. Khudozhestvennye printsipy muzykal’­nykh stiley [Artistic Principles of Musical Styles], Moscow : Muzyka, 1973. (In Russ.)
  22. Skrebkova, O. L., Skrebkov, S. S. Prakticheskiy kurs garmonii [Practical Harmony Course], Moscow : Muz­giz, 1952. (In Russ.)
  23. Sposobin, I. V., Dubovsky, I. I., Evseev, S. V., So­ko­lov, V. V. Uchebnik garmonii [Harmony Manual], vols. 1–2, Moscow : Muzgiz, 1937–1938. (In Russ.)
  24. Stepanov, A. A. “Two editions of N. A. Rimsky-Korsakov’s ‘Manual of Harmony’,” Aleksey Alek­seevich Stepanov: k devyanostoletiyu so dnya rozh­deniya (1914–1987) [Alexey Alexeevich Stepanov: on the 90th Anniversary of his Birth (1914–1987)], ed. by T. E. Leye, Moscow : RAM im. Gnesinykh, 2006, pp. 187–200. (In Russ.)
  25. Syrov, V. N. Melodii dlya garmonizatsii i muzykal’nye diktanty [Melodies for Harmonization and Melodic Dictations], Nizhny Novgorod : Nizhegorodskaya gosudarstvennaya konservatoriya im. M. I. Glinki, 2008. (In Russ.)
  26. Taneyev, S. S. Podvizhnoy kontrapunkt strogogo pis’ma [Convertible Counterpoint in the Strict Style], ed. by S. S. Bogatyrev, Moscow : Muzgiz, 1954. (In Russ.)
  27. Trembovel’skiy, E. B. Stil’ Musorgskogo: lad, gar­mo­niya, sklad [Mussorgsky`s Style: Mode, Harmony, Structure], Moscow : Kompozitor, 2010. (In Russ.)
  28. Tyulin, Yu. N. Uchenie o garmonii [The Theory of Har­mony], Moscow : Muzyka, 1966. (In Russ.)
  29. Ubert, I. S. “Harmony сourse for music theory stu­dents at the music college,” Metodicheskie zapis­ki po voprosam muzykal’nogo obrazovaniya [Metho­dical Notes on Music Education], Moscow : Muzyka, 1966, pp. 55–69. (In Russ.)
  30. Kholopov, Yu. N. Garmoniya. Prakticheskiy kurs [Harmony. Practical Course], part 1, Moscow : Kom­po­zitor, 2003. (In Russ.)
  31. Kholopov, Yu. N. Garmoniya. Prakticheskiy kurs [Harmony. Practical Course], part 2, Moscow : Kom­pozitor, 2003. (In Russ.)
  32. Kholopov, Yu. N. Garmoniya. Programma-konspekt spetsial’nogo kursa dlya istoriko-teoreticheskikh fakul’tetov muzykal’nykh vuzov [Harmony. The Sum­mary Program of a Professional Course for the His­to­rical and Theoretical Faculties of Music Uni­versities], ed. by V. S. Tsenova, Moscow : Moskov­skaya gosu­darstvennaya konservatoriya im. P. I. Chay­kovskogo, 2005. (In Russ.)
  33. Kholopov, Yu. N. Garmoniya. Teoreticheskiy kurs [Har­mony. Theoretical Course], Moscow : Muzyka, 1988. (In Russ.)
  34. Kholopov, Yu. N. Zadaniya po garmonii [Exercises in Harmony], Moscow : Muzyka, 1983. (In Russ.)
  35. Tsukkerman, V. A. Muzykal’no-teoreticheskie ocher­ki i etyudy [Musical and Theoretical Essays and Etudes], iss. 2, Moscow : Sovetskiy kompozitor, 1975. (In Russ.)
  36. Tchaikovsky, P. I. “Notes in the margins of Rimsky-Kor­sakov’s ‘Manual of Harmony’,” Polnoe sobra­nie sochinenij. Literaturnye proizvedenija i perepiska. V 17 to­makh [Complete Works. Literary Works and Cor­re­spon­dence. In 17 vols.], vol. 3 a, ed. by B. V. Asa­fyev, V. V. Protopo­pov, Moscow : Muzgiz, 1957, pp. 226–249. (In Russ.)
  37. Tchaikovsky, P. I. Rukovodstvo k prakticheskomu izu­che­niyu garmonii [A Guide to the Practical Study of Har­mony], 6th ed., Moscow : P. Yurgenson, 1897. (In Russ.)